Happy Birthday Pop-Tart! We could not think of a better way to dive into the new year and new season of Pop of the Morning! than with the 50th Birthday Edition Pop-Tart!
We welcome the new year by returning to the past with this newly launched Flavor Flashback. When exactly was the Chocolate…
Imagine our dismay when we set out to record a podcast dedicated to the classic Frosted Strawberry Pop-Tart only to discover Frosted Cherry in their place?! Once we recovered from this flavor mix up, we switched gears and soldiered on with our review of the Frosted Cherry Pop-Tart.
Just Like Being There. Trailer.
As a longtime Harmony Korine fan, I can’t wait to see his latest film later this week.
When Harmony Korine’s “Spring Breakers” premiered at the Venice Film Festival late last August, it was received warmly by critics well-prepared for another provocation from one of the American cinema’s most reliably incensing auteurs. Its reception at the Toronto International Film Festival a week later seemed even more enthusiastic, with many critics, myself included, feeling certain that it ranked among the best of the slate.
That was nearly eight months ago now, and in the down time since its premiere, the hype machine has worked quite a number of “Spring Breakers”, raising anticipation to a fever pitch. The film’s distributor, A24 Films, made the savvy decision to wait until spring break itself kicked off to bring the film into wide release, which very quickly proved a lucrative strategy: its opening weekend, when it played a handful of theaters in only New York and Los Angeles, broke records for per-theater numbers, outgrossing Korine’s last film in a single day, and the combined sum of every movie he’s ever madeby the end of the weekend.
“Spring Breakers” stars a trio of immensely popular teen idols whose lucrative brand has clearly meant big business for the film. But it’s also unabashedly an arthouse film, one whose canny use of Disney icons is central to its deeper intentions; it so thoroughly deconstructs preconceptions that it wouldn’t much work without them. A major consequence of its motives—and in particular its desire to both relish and undermine certain cultural signifiers—is that its veneer of carefree spring breaking is pretty misleading, especially to audiences familiar with the stars but not with the director (whose most recent feature is called “Trash Humpers”).
My old housemate Tim made this great Weezer parody about the sequester.
My old bandmate Tim made this great Weezer parody about the sequester.
#ghastlycitysleep (at Cup)
Another year, another reminder.
"You have to go to considerable trouble to live differently from the way the world wants you to live. That’s what I’ve discovered about writing. The world doesn’t want you to do a damn thing. If you wait till you got time to write a novel or time to write a story or time to read the hundred thousands of books you should have already read—if you wait for the time, you’ll never do it. Cause there ain’t no time; world don’t want you to do that. World wants you to go to the zoo and eat cotton candy, preferably seven days a week." - Harry Crews